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Verdi: Rigoletto

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Verdi: Rigoletto

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Rezensionen

Kurzbeschreibung

"Aufnahme"
Recorded live at the Sydney Opera House on 18 September 2010

"Libretto" by Francesco Maria Piave, after Victor Hugo's drama "Le roi s'amuse (1832)"

"Musik"
Opera Australia Chorus
Chorus Master: Michael Black
Australian Opera and Ballet Orchestra
Concertmaster: Aubrey Murphy
Conductor: Giovanni Reggioli

"Interpreten"
Rigoletto - Alan Opie
Borsa, a courtier - David Corcoran
Count Ceprano - Christopher Hillier
Marullo, a courtier - Andrew Moran
Duke of Manuta - Paul O'Neill
Countess Ceprano - Jane Parkin
Count Monterone - Gennadi Dubinsky
Sparafucile - David Parkin
Gilda - Emma Matthews
Giovanna - Elizabeth Campbell
A Page - Jodie McGuren
A court usher - Clifford Plumpton
Maddalena - Elizabeth Campbell

In der von Elijah Moshinsy inszenierten Produktion, die zu den beliebtesten der Australischen Oper gehört, wird Verdis dunkles Drama zu einem von Fellinis La Dolce Vita inspirierten Mafia Melodram. Diese überaus populäre VerdiOper, die sowohl für Liebhaber also auch für Einsteiger geeignet ist, besticht durch ein internationales Cast; allen voran Bariton Alan Opie als gequälter Hofnarr und Emma Matthews als seine Tochter Gilda sowie Paul O' Neil als lüsterner Herzog von Mantua. Giovanni Geggioli gelingt eine großartige Umsetzung der üppigen und dennoch fragilen Töne, die Verdi in diesem Meisterwerk anschlägt.

Bonusmaterial:
Cast Gallery;

Rezension

'Emma Matthews could inspire the dead, turning in one of the finest readings of this role I've ever heard...She easily could just warble and make you perfectly happy but she acts and characterizes. Her 'Caro nome' is touching as well as dazzling in its virtuosity, and her rich mid-voice allows for some truly dramatic singing later on.' --International Record Review, Robert Levine, April 2012

'Updated to the time of Fellini's La Dolce Vita, it utilises every inch of the stage. Giving a performance to match this setting is Alan Opie as Rigoletto...he still dominates his scenes by virtue of his stage presence and his vocal prowess. As Gilda, Emma Matthews is outstanding...In the Pit, conductor Giovanni Reggioli gives a heart-felt account of the score.' --Opera Now, May 2012

'A success... Emma Matthews is a significant triumph, while Giovanni Reggioli's sensitive conducting draws elegant and evocative playing from the Australian Opera and Ballet Orchestra.' --The Opera Critic

Verdi: Rigoletto

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